Galleries
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The Mercury Factory
This sculpture is interactive, it reacts when someone approach it. It has a distance sensor on the front to sense movement. Mercury is flowing in the tube going through the deer head while the control character, from the same series as The Bone Hunter is turning his head to look at you.
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The Soul Shepherd
“The Soul Shepherd” is a kinetic sculpture that embodies the delicate dance of forgotten materials and the whisper of memory. Built from a polished metal dome, typewriter parts (notably the letter arms), aged leather, and repurposed mechanical elements, this figure appears to float in a perpetual state of meditation.
Its form suggests a mystical being — a silent, ethereal soul shepherd. Topped by a narrow leather-laced neck and a minimalistic mechanical head.
The piece is subtly animated, capable of rising, falling, and oscillating in gentle motions, evoking the rhythms of breath or silent prayer.“The Soul Shepherd” brings these abandoned fragments back to life, inviting viewers to reflect on the boundary between machine and spirit, between object and consciousness.
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Iron Head
“Iron Head“ embodies the soul of forgotten objects, reassembled to breathe new life into discarded fragments of history. Built from the aged shell of a military helmet, vintage typewriter parts, worn leather, and remnants of an old Meccano set, this sculpture blurs the line between artifact and automaton.
Far from static, Iron Head is endowed with movement — able to advance, reverse, and pivot through remote control — making it not just a relic, but a living memory. Its mechanical gaze, fashioned from spools and worn gears, captures the viewer with a sense of curious resilience, while the chrome nose and metallic mouth evoke a mischievous humanity.
The battered helmet atop its head serves as a powerful reminder of the past: of endurance, of survival, and of the silent witnesses to human history. In reanimating these once-forgotten materials, Iron Head questions the boundaries between the organic and the mechanical, between obsolescence and rebirth.
Through this work, I seek to honor the beauty of decay, the poetry of old machinery, and the enduring spirit that persists even in the most unexpected forms.
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Ganesh
“Ganesh” emerges as a hybrid figure, where antiquity and absurdity collide to create a character both strange and captivating. Crafted from the base of an old projector, children gaz mask from WWII, aged leather, and repurposed medical accessories, this creature evokes both a divine icon and a whimsical mechanical explorer.
Its elongated neck, wide hypnotic eyes, tubular mask, and reflective forehead mirror suggest a mechanical deity, a time-traveling physician, or an interstellar wanderer.
“Ganesh” is not merely a tribute to abandoned objects — it is a celebration of transformation, humor, and the unexpected.With its slender silhouette and enigmatic expression, this sculpture invites viewers to rethink the connection between the sacred, technology, and the limitless reach of human imagination.
